Black America: “I love the 90’s sociopath.”
Each decade tends to have its own idiosyncrasies that
make it distinct from others, but the 90’s has proven to be perennial in
regards to some elements of Black America and hip-hop culture.
The 90’s felt new.
I assume that every generation of kids feels like the new kids on the
block but the 90’s was a fast moving technological period. We talked different, we walked different, and
sure we as hell thought differently too.
I remember being an adolescent in the 90’s when gun violence had its
birth of being the new epidemic. It
wasn’t crack from the 80’s or the uprising of young political blacks from the
70’s. The 90’s brought a new, deadly
style of thinking. People have been
killing each other since the beginning of time but the 90’s appears to have
been the birth place for increasingly deadly mentalities and belief
systems. Around this time in Pittsburgh
gangs were very active and for what may have arguably been the first time in
the history of parenting, many parents across the nation had no idea of how to
respond to this violent new generation. All
across America kids were getting shot, stabbed, and killed. I think it was in the mid-to-late 90’s that a
big drug bust happened in Pittsburgh that sent a lot of gang members to
jail. Before that, many of them were
dying off or had already been going to jail, but since that drug bust
Pittsburgh has not seen the emergence of that level of intensity of gang
violence. Gangs went away for the most
part (in Pittsburgh) but violence made a home in the black inner-cities across
America.
Today it is 2016 but the 90’s are back. Look at the fashion today. Listen to the music; the new sound of hip-hop
is sampling R&B tracks from the 90’s.
Back in 2014 I use to comment and say that all of the gang members who
died in the 90’s are back and picking up where they left off. Looking at the rap scene today, this idea may
have some validity to it (lol). Look at
a picture of Tupac from the 90’s, from his fashion to his haircut and
jewelry. Look at pictures of Jay-Z in
the 90’s. Look at pictures of both
genders from that time period – plaid shirts, bleached denim, and box haircuts
with stylish parts. All that was the
90’s…and it’s back. I don’t know if
those kids that passed away in the 90’s were reincarnated but I’m just sayin’ (*I’ve
got a point face*).
An unfortunate thing about the 90’s is that sectors of
black America have developed an infatuation for sociopathic characters in some
of the biggest urban movies that have ever been made. Characters like O-dog from Menace II Society, Nino Brown from New Jack City, and of course Bishop from
Juice. There have been few, if any, black
gangster/noir movies post 90’s that have been considered to be classics like
the ones from this era. What has
happened is that this gangster image and persona has never went away. Sociopaths like Bishop, O-dog, and Nino Brown
are still praised, commemorated, and deified today – 20-25 years later. There is a large portion of black America
that has fallen in love with the sociopath’s mentality. This is not new idea. Some of the world’s most influential leaders,
generation after generation, have been sociopaths, and many sociopaths tend to
be put into leadership positions.
However, there is a contradiction in black America’s plead to tell the
world that black lives matter while at the same time idolizing sociopaths and
sociopathic behaviors that are responsible for taking those black lives. It is as if some of the members of the black
community have been kidnapped by the sociopath and have developed Stockholm’s
syndrome where they begin identifying and falling in-love with their abductor.
I am not insinuating that we need to stop watching these
movies. I like these movies. They are great in their own way. Most of them do try to project a positive
message by reporting the negativity but it seems that too many viewers have
either ignored the message or have been misled.
I spoke to the star of a hood film that was recently shot
in Pittsburgh. I praised him and the
cast for making an entertaining film.
Guess who his character was??...THE SOCIOPATH (lol). After I expressed my appreciation for the
talent and writing within the movie I told him that I thought the content of
the movie was counterproductive for the black community…he agreed! He said that he too would have liked certain
scenes not to have been cut and for more of ‘the solution’ to have been in the
film instead of staying on so much of the ‘hood stuff’. He said that he had no control over the final
product and I believe him – but I’m no fool either. I believe that the movie is exactly what the
director wanted – something comparable to Juice,
Menace II Society, and New Jack City. Why??...because a large part of black America
loves a great sociopath. A
large part of AMERICA loves a great sociopath. Other cultures engage in this same passionate
relationship with the sociopath but it is regulated. They do not allow their culture to be
saturated and defined by sociopathic attitudes.
They may have used sociopathic attitudes and behaviors to attain more
power for the benefit of their culture (which is a great element of strategy for
success) but they do not appear to idolize those qualities. Black America abdicates the power and
strategy, leaving the sociopathic qualities for other uses. When sociopathic behaviors are not being used
for a greater good, what other good is there to be done? For black America to improve its position in
the world as a healthier culture, we will have to get out of this loving
relationship we have for the 90’s sociopath.
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© March 4, 2016 PerspectVe LLC
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